Pioneer PLX-500 PLX500 Black Direct Drive DJ Turntable + 2x PreSonus Eris E5

Description

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Pioneer PLX-500 + 2x PreSonus Eris E5
Direct-Drive Vinyl Turntable and Monitor Pair
- Bundle Deal -
Description
Package Includes :
1 x Pioneer PLX-500
2 x PreSonus Eris E5
Pioneer PLX-500
Go Vinyl
The PLX-500 inherits the layout of the PLX-1000 professional turntable and produces a warm, clear analogue sound. The perfect deck if you want to start playing with vinyl or if you just want to listen to your record collection at home.
Solidly built with excellent vibration damping and precise audio playback, this high-torque deck has a USB out so you can make digital recordings of your vinyl collection in our free rekordbox software. You can also combine the PLX-500 with the rekordbox dvs Plus Pack, a compatible mixer and the RB-VS1-K Control Vinyl to play and scratch with digital files.
Excellent Sound Design
Just like the PLX-1000, the PLX-500 is built to produce a high-quality vinyl sound. The shortest possible audio routing from the stylus to the outputs reduces distortion, while the phone/line output switch lets you connect directly to your sound system or to powered speakers with no need for an external amplifier.
Easy Digital Recording
Record your vinyl collection to high-quality digital files by simply connecting the turntable to your PC or Mac via the USB out.
Smooth Dj Play
Use the PLX-500 to mix and scratch your vinyl records or combine the turntable with rekordbox dvs, a compatible DJ mixer and the RB-VS1-K Control Vinyl to play and perform with your digital files.
Cover Art Display
Put your record covers on display while listening to your vinyl thanks to the sleeve stand inside the dust cover.
PreSonus Eris E5
When mixing music you want a pair of studio monitors that will accurately reveal the truth about what you're listening to, and the Eris series from PreSonus are designed to do just that. With its 5"" Kevlar low-frequency transducer, the compact Eris E5 sports a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that's impressive.Thanks to well-designed Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.
Both Eris models provide balanced XLR, balanced ¼"" TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼"" TS outputs, simply use a ¼""-to-RCA adapter or adapter cable.)
You're in control!
Today's music producers deal with a wide variety of musical genres and often work in more than one location. It's easy to take your Eris speakers with you when you want to work in a different space. It's almost as easy to customize their sound for your room and type of music.
The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system-that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you've gain-staged your system, you can leave this control alone.
The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer.
Safety Matters
Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you've ever heard a radio broadcast unexpectedly coming out of a guitar amp, that's the result of RF interference.)
Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer's performance.
Features/Specs
Pioneer PLX-500
Slip mat
Dust cover with jacket stand
Adapter for 45 EP records
Head shell (with cartridge)
Balance and shell weights
Audio conversion cord:
1 Stereo pin plug (female)
1 Stereo mini plug (male)
USB cord
Width : 450 mm
Height : 159 mm
Depth : 368 mm
Weight : 10.7 kg
Drive Method : Servo-type direct drive
Platter : Aluminium, die-casting diameter: 332 mm
Motor : 3-phase, brushless DC motor
Braking System : Electronic brake
Rotation Speed : 33⅓, 45, 78 rpm
Rotation Adjustment Range : ±8 %
Wow and Flutter : < 0.15% WRMS
Signal-to-Noise Ratio : 50 dB
Starting Torque : > 1.6 kgf・cm
Start Time : Within 1 sec (at 33⅓ rpm)
Arm Type
Universal type S-shape tone arm
Gimbal-supported type bearing structure
Static balance type
Overhang : 16 mm
Effective Length : 230.5 mm
Tracking Error : Within 3°
Height Adjustment Range : 6 mm
Stylus Pressure Variable Range : 0-4 g (1 scale 0.1 g)
Proper Cartridge Weight : < 9.5 g
Cartridge type : VM
Outputs : 1 PHONO/LINE (RCA)
USB : 1 USB B port
PreSonus Eris E5
5.25-inch Kevlar low-frequency transducer
1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
70 watt Class AB biamplification
Front-firing acoustic port for superior bass-frequency reproduction
Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, : 2, : 4 dB) for accurate mixing contour
RF interference, output current limiting, over-temperature, transient, and subsonic protection
Optimized, resonance-suppressing internal bracing
Balanced XLR/¼-inch and unbalanced RCA inputs
Inputs
1- Balanced XLR
1- Balanced ¼" TRS
1- Unbalanced RCA
Performance
Frequency Response 53 Hz : 22 kHz
Crossover Frequency 3 kHz
LF Amplifier Power 45W
HF Amplifier Power 35W
Peak SPL (@ 1 meter) 102 dB
LF Driver 5.25" Kevlar
HF Driver 1" silk dome
Input Impedance 10 kÎ
User Controls
Volume Range A-type taper
MF Control : 6, 0, +6 dB
HF Control : 6, 0, +6 dB
Low Cut Flat, 80 Hz, 100 Hz
Acoustic Space Flat, : 2 dB,4 dB
Protection
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
External mains fuse
Power
100-120V ~50/60 Hz or 220-240V ~50/60 Hz
Cabinet
Vinyl-laminated, medium-density fiberboard
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